Nicholas Hughes, Aspects of Cosmological Indifference [Verse I, no. 12], 2011

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

* denotes required fields

We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails.

Chromogenic photograph, framed
Signed by the artist, on verso

40.6 x 50.8 cm (16 x 20 in.)

Through his approach to 'slow photography' using analogue film and large-format cameras, Hughes captures the ethereal interplay of light and shadow in a way that invites deep contemplation of humanity's relationship with nature. The dappled light effect, known in Japanese as 'komorebi', represents the filtered sunlight penetrating through the forest canopy, creating a dance between illumination and darkness.

The work's interplay of light and shadow speaks to a deeper experience of the human condition. Like the dappled forest light, it suggests that even in darker moments, illumination can break through, offering glimpses of hope and transcendence.

Hughes' slow photography techniques allow viewers to pause and reflect on their connection to the natural world. The dappled light becomes a metaphor for finding moments of clarity and beauty amid the shadows of contemporary existence.

Item added to cart

Re: Wild

Re: Wild

Terms and Conditions

Cookie preferences

Join our mailing list

Interests *

Nicholas Hughes U.K., 1963

相关艺术家

Daniel Arsham

Dean Fox

Nicholas Hughes