Antony Gormley's etching 'Domain' (2000) signifies the artist's lifelong exploration of the human body and its relationship to time and space. Here, Gormley depicts the human form using linear geometric shapes.

The etching technique, with its delicate rendering of lines and textures, creates a sense of depth and dimensionality on a two-dimensional surface. This immersive quality draws the viewer into the artwork, enhancing their understanding of Gormley's exploration of the human form and its relationship to space and time. The process of incising lines into an etching plate and its transference to the paper also mirrors Gormley's sculptural practice of casting and molding.

The human figure here is presented in a way that blurs the boundaries between the body and its surrounding environment, a recurring theme in Gormley's oeuvre. By abstracting the human form, Gormley invites viewers to contemplate the essence of human existence beyond physical appearance. 'Domain' also reflects Gormley's conception of the body as a vessel or container of space rather than simply an object occupying space. This perspective challenges traditional notions of sculpture and representation, encouraging viewers to consider the human form as a site of transformation and a nexus of physical and spatial experiences.

'Domain' suggests a territory or realm, an allusion to the space that the human body inhabits or influences. This notion ties into Gormley's broader artistic mission of materializing "the place at the other side of appearance where we all live," as he describes it.

The present work establishes Antony Gormley's evolving approach to representing the human form and his enduring fascination with the relationship between body, space, and consciousness.