-
Declan BrownMichael Wojas, 1999Vintage photographic print20 x 25 cm -
Pascal LatraPam Hogg, 1999Photographic print29.5 x 40 cm
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Pascal LatraPhil Dirtbox in Colony Room Club, 1999Vintage print44 x 35 cm
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Pascal LatraSarah Lucas and Damien Hirst, 1999Photographic print33 x 43 cm
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Pascal LatraSarah Lucas working behind the Colony bar, 1999Photographic print30 x 40 cm
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Pascal LatraSebastian Horsley, 1999Photographic print35 x 27 cm
-
Terry FrostValentine - Blues and Purples, 1999Collage and acrylic
hand-signed and dated 99 (lower right); further hand-signed, dated 99 and dedicated (verso)32 x 31 cm
40.5 x 41 cm (framed) -
Lucian FreudDavid Dawson, 1998Etching on paper, framed
Signed by the artist in pencil, on rectoPlate: 59.7 x 42.5 cm; Sheet: 75.7 x 57.2 cmEdition of 46 -
Tracey EminEvery bodies Been There, 1998Original lithograph on wove paper
Signed by the artist in the plate, with blind stamp20 x 25 cm
(framed: 24 x 29 cm)
-
Amelia TroubridgeJay Landesman - The Colony Rooms, 1998c-type print8 x 10 in
-
Gary HumeUntitled [water painting], 1998Lithograph on paper
Signed by the artist, numbered and dated in pencil, lower right on recto42 x 59 cmEdition of 50 -
Fiona RaeUntitled (fig.10), 1997Oil & acrylic on canvas20.3 x 25.4 cm
-
Peter BlakeParty (Sing Song), 1996Lithograph and screenprint in colours, on wove paper
Signed by the artist's hand and numbered, on recto76 x 55 cmEdition of 100 -
Gavin TurkCave, 1995Silkscreen on plastic48.25 x 48.25 cmEdition 81 of 130
-
Angus FairhurstDrawing I, 1995Ink on paper; the whale is drawn on a separate sheet stuck to main drawing sheet
initialed 'AF' by the artist, lower right on recto29.6 x 19.1cm -
Eduardo PaolozziHermes II, 1995Bronze sculpture29.2 cm
-
Taisha HirokawaJoshua Compston, 1995Photograph31 x 37 cm
-
Sophy RickettOld Street (Series Pissing Women), 1995Silver Bromide Prints51 x 51 x 3 cm framed
-
Sophy RickettVauxhall Bridge (Series Pissing Women), 1995Silver Bromide Prints51 x 51.5 x 3 cm framed
-
Lucian FreudThe Egyptian Book, 1994Original etching on T.H.S. Saunders wove paper, framed
Inscribed with the artist's initials in pencil, lower right on recto
Plate: 29.8 x 29.8 cm ; Sheet: 46.4 x 42.5 cm; Framed: 54.3 x 50.5 cmEdition of 40 -
Vivian StanshallVivian Stanshall, 1994Vintage print34 x 27 cm
-
David HockneyUntitled for Joel Wachs, 1993Original lithograph and screen print in colours, on Arches wove paper, signed in pencil. The blindstamp of the artist and publisher at the lower right corner and the ink stamp of the publisher, verso. The Gemini G.E.L. work number is inscribed
in pencil, verso.54.7 × 64.5 cmEdition of 130 + 20 AP -
Bridget RileyJune, 1992Screenprint in colours on wove paper
Signed by the artist in pencil, lower right on recto102 × 135 cmEdition of 75 -
Bridget RileyNew Day, 1992Screenprint in colours on wove paper
Signed by the artist in pencil, lower right on recto94.1 × 134.7 cmEdition of 135 -
Roy LichtensteinPassage du Nord-Ouest, 1992Original etching and aquatint, 1992, on 250-gram Velin d’ Arches paper
Signed by the artist and dated in pencil with the artists monogramImage: 27.9 x 37.5 cm
Sheet: 35. 2 x 48 cmEdition of 80 (+ 45 HC) -
Craig EastonThe Death of Francis Bacon, Colony Room, Soho, London, 1992Gelatin hand print25.4 x 20.32 cm
-
David RoseIan Board, 1991Vintage photographic print31 x 39 cm
-
Howard HodgkinIn Tangier, 1991Screenprint in colours
Signed HH in pencil and dated 1991 and numbered82 × 86 cmEdition of 72 -
Francis BaconTriptych 1991 (right panel), 1991Aquatint in colours on Fabiano paper, framed
Dry stamp of artist's signature, lower right under the plate
Dry stamp of the Francis Bacon Estate, on the plateImage: 135 x 100 cm
Paper: 163 x 121 cm
Framed: 170 x 127.8 cmEdition of 84 -
Lucian FreudHead and Shoulders of a Girl, 1990Original etching on Somerset Satin White paper, framed
Inscribed with the artist's initials in pencil, lower right on recto78 x 63 cm (framed: 87 x 72 cm)Edition of 50 -
Patrick CaulfieldLarge White Jug, 1990Screenprint on wove paper
Signed and numbered in pencil, lower right on recto107.3 x 81.3 cmEdition of 45 -
Patrick CaulfieldSue Ware Jar, 1990Screenprint on paper
Signed by the artist, lower right on rectoSheet: 107.2 x 81.1 cm
Image: 79.4 × 53.3 cmEdition of 45 + 10 AP -
Unknown ArtistFrancis Bacon and William Burroughs, 1989Photograph31 x 26 cm
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Daniel FarsonFrancis Bacon outside French House Pub, 198935.5 x 25.5 cm, mounted 56 x 48.3 cm
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John DeakinMuriel Belcher, 1989silver bromide43 x 33 cm (framed)
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Andy WarholMiller Dancing Girl Ole Lukoje, 1987Original exhibition poster
Annotated with a unique authenticity number in pencil, on verso
Accompanied by a certificate of authenticity from The Andy Warhol Foundation for the Visual Arts82.5 x 60.3 cm (32 1/2 x 23 3/4 in.) -
Andy WarholPierrot with Swans and Buildings on a Tray, 1987Original exhibition poster
Annotated with a unique authenticity number in pencil, on verso
Accompanied by a certificate of authenticity from The Andy Warhol Foundation for the Visual Arts82.5 x 60.3 cm (32 1/2 x 23 3/4 in.) -
Terry FrostSuspended Red, Yellow and Black, 1987Original Screenprint, on heavy wove paper cut to the
edges, signed and dated by the artist in pencil. An Archive number 82.102
is written in pencil verso.Sheet: 79 x 59 cm
Framed: 100.7 x 80.2 cm
Edition of 75 -
Harry DiamondThe Colony Room, 1987Photograph42 x 29.5 cm
50 x 40 cm (framed) -
Francis BaconTriptych 1986-7 , 1987Complete triptych composed of three etchings with aquatint in colour on Arches paper, with full margins, framed
Each panel signed by the artist in pencil, lower right on rectoImage: 65.2 x 48.6 cm; Sheet: 89.5 × 62.5 cm; Framed: 115 x 89 cm (each)
Triptych: 115 x 267 cmEdition of 99 + 15 AP and HC -
Francis BaconTrois études de dos d'homme [Three studies of the male back], 1987Original lithograph in colours on Arches watermarked paper
Right panel of the triptych, related to the painting of the same title
Signed by the artist in pencil, lower right on rectoImage: 61 x 43.2 cm
Sheet: 80.5 x 59 cm
Framed: 107.5 x 86.1 cmEdition of 99 -
Francis BaconTrois études de dos d'homme [Three studies of the male back], 1987Original lithograph in colours on Arches watermarked paper
Central panel of the triptych, related to the painting of the same title
Signed by the artist in pencil, lower right on rectoImage: 61 x 43.2 cm
Sheet: 80.5 x 59 cm
Framed: 107.5 x 86.1 cmHC [Hors Commerce] aside edition of 99 -
Andy WarholTwo Women Around a Tree, 1987Original exhibition poster
Annotated with a unique authenticity number in pencil, on verso
Accompanied by a certificate of authenticity from The Andy Warhol Foundation for the Visual Arts82.5 x 60.3 cm (32 1/2 x 23 3/4 in.) -
Neal SlavinColony Room Club, 1986Colour lithographic print40 x 50 cm
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Michael WoodsHarry Diamond, Notting Hill, 1986Photograph42 X 29.5 cm
50 x 40 cm (framed)Edition of 5 -
Michael WoodsJay Landesman, Notting Hill, 1986Photograph42 x29.5 cm
50 x 40 cm (framed)Edition of 5 -
Phil NichollsJeffrey Bernard, 1986Vintage photographic print26 x 31 cm
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Francis BaconStudy for a portrait of John Edwards, 1986Original lithographs in colours on Arches paper, with full margins, framed
Signed by the artist in pencil, lower right on rectoImage: 60 × 45 cm
Sheet: 81 × 60 cm
Framed: 89.8 x 72.3 cmEdition of 150 + 30 HC -
Francis BaconStudy for a portrait of John Edwards, 1986Original lithograph in colours on Arches paper, with full margins, framed
Signed by the artist in pencil, lower right on rectoImage: 68 x 49 cm
Sheet: 94.5 x 67.9 cm
Framed: 105.3 x 85.4 cmEdition of 180 + 30 HC -
Bruce BernardLucian Freud standing on his head with daughter, Bella, 1985-2021Archival pigment print50.8 x 40.6 cm
20 x 16 inEdition of 25 -
Jean-Michel BasquiatJawbone Of An Ass, 1985-2004Screenprint in colours on Saunders Hot Press watercolour paper
Signed in pencil and dated verso by Gerard Basquiat, the executor of the Jean-Michel Basquiat Estate
Numbered in pencil and with the stamped Certificate of Authenticity108.6 by 152.4 cm (42¾ by 60 in.)Edition of 85 (+ 15 AP) -
Lucian FreudGirl Holding Her Foot, 1985Etching printed with tone on Somerset Satin White paper
Initialled in pencil and numbered, on rectofrom the edition of 50 ( there were a further 15 artist’s proofs) -
Lucian FreudHead of Bruce Bernard, 1985Etching on paper, framed29.5 x 29.7 cm
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Bruce BernardFrancis Bacon in his studio (vertical), 1984-2022Archival Pigment Print58.4 x 43.2 cm
23 x 17 inPosthumous edition of 25 -
Bruce BernardFrancis Bacon in his studio, standinging in front of 'Street Scene (with car in distance)", 1984-2014Silver Bromide Print50.8 x 40.6 cm
20 x 16 inEdition of 25 -
David BaileyBasquiat, 1984-2004Silver Gelatin on paper50.5 x 58 cm (paper size)
40.5 x 40.5 cm (images size)Edition of 10 -
Bruce BernardFrancis Bacon in his studio, 1984-2002Cibachrome print50.8 x 40.6 cm
20 x 16 inPosthumous edition of 15 -
Francis BaconStudy of a Human Body after Ingres, 1984Original lithograph on Arches watermarked paper, with full margins, Signed by the artist in pencil, lower right on recto
Edition numbered in pencil, lower left on rectoImage: 62 x 46.1 cm
Sheet: 88.6 x 60.5 cm
Framed: 94.2 x 76 cmEdition of 180 -
Jean-Michel BasquiatOdours Of Punt, 1983-2024Screenprint in colours on wove paper
Stamped and signed by Lisane Basquiat and Jeanine Heriveaux, administrators of the Estate of Jean-Michel Basquiat106.7 x 213.4 cm (42 x 84 in.)Edition of 60 -
Jean-Michel BasquiatRinso, 1983-2001Screenprint in colours on wove paper
Bears the Estate stamp and signed and dated in pencil on verso by Gerard Basquiat, administrator of the Estate of Jean-Michel Basquiat101.6 x 101.6 cm (40 x 40 in.)Edition of 85 + 15 AP -
Andy WarholKiku, 1983Screenprint in colours on Rives BFK wove paper
Signed by the artist and numbered in pencil, lower left on recto49.8 x 66 cm (19 5/8 x 26 in.)Edition of 300 -
Henry MooreMother and Child, 1983Etching on paper.
Hand signed and numbered by the artist.paper size: 52 x 44 cm
Framed 57.3 x 48.5Edition of 65 -
Henry MooreMother and Child VI, 1983Etching and aquatint in 4 colours on Arches paper
Signed by the artist, lower right on recto52.1 × 44 cm (framed: 56 x 48 cm)Edition of 65 -
Jean-Michel BasquiatWolf Sausage, 1982-2019Screenprint in colours on wove paper
Bears the Estate stamp and signatures of Lisane Basquiat and Jeanine Heriveaux, administrators of the Estate of Jean-Michel Basquiat55.9 x 76.2 cm (22 x 30 in.)Edition of 50 + 20 AP -
Michael WoodsGeorge Melly, Portobello Road, 1982Bromide print42 x 29.5 cm
50 x 40 cm (framed)Edition of 5 -
Andy WarholGoethe, 1982Original exhibition poster
Annotated with a unique authenticity number in pencil, on verso
Accompanied by a certificate of authenticity from The Andy Warhol Foundation for the Visual Arts70.5 x 51.1 cm (27 3/4 x 20 1/8 in.) -
Michael WoodsMichael Clark, 1982Bromide print42 x 29.5 cm
50 x 40 cm (framed) -
Patrick CaulfieldBrown Jug, 1981-1982Original Screenprints in colours on wove paper, 1981/1982
Signed by the artist in pencil, lower right on rectoImage: 79.3 x 57.1 cm
Sheet: 102.3 x 77.5 cm
Framed: 110 x 89 cmEdition 1 of 80, plus 14 AP -
Patrick CaulfieldWater Jug, 1981-1982Original screenprints in colours on wove paper, 1981/1982
Signed by the artist in pencil, lower right on rectoImage: 79.3 x 57.1 cm
Sheet: 102.3 x 77.5 cm
Framed: 112.7 x 89 cmEdition 1 of 80, plus 14 AP -
Henry MooreHead of Woman, 1981Etching on paper.
Hand signed and numbered by the artist.paper size: 57 x 46 cmEdition of 50 -
Francis BaconMetropolitan Triptych (right panel) 1981, 1981Original colour aquatint and etching on Guarro paper
Signed by the artist in pencil, lower right on recto64.5 × 50 cm (framed: 69.8 x 55.5 cm)Edition of 99 -
Henry MooreThree seated figures, 1981Colour lithograph on paper.
Hand signed and numbered by the artist.paper size: 33 x 28 cm
framed: 55 x 40 cmH.C. aside from an edition of 50 -
Francis BaconTriptych inspired by Oresteia of Aeschylus, 1981Three Lithographs in colours on one sheet of Arches Infinity watermarked paper, with full margins
Signed by the artist in pencil, lower left on recto
With the printers blindstamp, llower left on rectoEach Plate: 40 x 30 cm
Sheet: 53.5 x 103.5 cm
Framed: 72.8 x 126.2 cmEdition of 150 -
Howard HodgkinTropical Fruit, 1981Color screenprint on Velin Arches paper, signed with initials, dated and numbered 69/100 in pencil78.4 x 93.3 cm - Sheet
91.4 x 106.3 cm - FramedEdition of 100 -
Howard HodgkinStill Life (Indian Leaves), 1980Colour screenprint on Velin Arches paper, signed with initials, dated and numbered in pencil.79.7 x 73.7 cm - SheetEdition of 100
-
Graham SutherlandApollinaire, Le Bestiaire, 1979Etching and aquatint
Numbered 56/75
Signature in pencil lower rightImage Size: 11 x 8 cm
Sheet Size: 30 x 21 cmEdition of 75 -
Francis BaconTriptych August 1972, 1979Series of three lithographs on Arches paperImage: 65.5 x 48.5 cm (each)
Sheet: 89.5 x 61 cm (each)Edition of 180 -
Howard HodgkinAlexander Street, 1978Serigraph in multiple colours on Velin Arches 300 gsm mould-made paper with deckled edges
Signed, dated and numbered to lower edge '42/90 Hodgkin 7834 x 61 cmEdition of 90 -
Francis BaconPortrait de Michel Leiris, 1978Etching and aquatint in colours on Arches paper
Signed by the artist in pencil, lower right on recto68 x 52 cm
71.8 x 56.8 cm (framed)Edition of 100 -
Henry MooreMothers and child studies, 1976Original etching and aquatint on Magnani di Pescia cotton paper
Signed by the artist in pencil, lower right on rectoImage: 32.6 x 24.5 cm
Sheet: 65 × 46 cm
Framed: 73.4 x 61.8 cmEdition 51 of 90
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![Francis Bacon, Trois études de dos d'homme [Three studies of the male back], 1987](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/dellasposa/images/view/962f844f2c7baddabcc8acc22b557fe1p/dellasposa-francis-bacon-trois-tudes-de-dos-d-homme-three-studies-of-the-male-back-1987.png)
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