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Post-War/Modern: Art at the OWO

Past exhibition
8 October 2024 - 31 January 2025
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Post-War/Modern: Art at the OWO

Past exhibition
8 October 2024 - 31 January 2025
  • Overview
  • Works
  • Installation Views
  • Videos
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Open a larger version of the following image in a popup: Patrick Caulfield, Sue Ware Jar, 1990

Patrick Caulfield U.K., 1936-2005

Sue Ware Jar, 1990
Screenprint on paper
Signed by the artist, lower right on recto
Sheet: 107.2 x 81.1 cm
Image: 79.4 × 53.3 cm
© The Estate of Patrick Caulfield
Patrick Caulfield, Sue Ware Jar, 1990
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%3Cdiv%20class%3D%22artist%22%3EPatrick%20Caulfield%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESue%20Ware%20Jar%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1990%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScreenprint%20on%20paper%3Cbr/%3E%0ASigned%20by%20the%20artist%2C%20lower%20right%20on%20recto%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3ESheet%3A%20107.2%20x%2081.1%20cm%3Cbr/%3E%0AImage%3A%2079.4%20%C3%97%2053.3%20cm%3C/div%3E
Patrick Caulfield was a prominent British painter and printmaker renowned for his distinctive graphic aesthetic, synthesising pop art elements with traditional still life and domestic interiors. Born in 1936, Caulfield’s...
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Patrick Caulfield was a prominent British painter and printmaker renowned for his distinctive graphic aesthetic, synthesising pop art elements with traditional still life and domestic interiors. Born in 1936, Caulfield’s oeuvre is characterised by applying flat, saturated colours and crisp outlines, establishing a pronounced sense of simplicity and clarity. His works often present quotidian objects rendered with detachment, prompting viewers to reconsider the familiar from an altered perspective.

Caulfield's innovative approach to composition and spatial relationships positions him as a pivotal figure in Modern British art. His ability to intertwine modernist principles with a classical sensibility reflects a nuanced understanding of art history, making his contributions significant within the discourse of 20th-century visual culture. His observation of form and colour highlights the interactions of objects within a given space and invites discourse on the nature of perception itself.
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