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Tracey Emin British, 1963

  • 傳記
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Open a larger version of the following image in a popup: Tracey Emin, In my Mind II, 2014
Open a larger version of the following image in a popup: Tracey Emin, In my Mind II, 2014

Tracey Emin British, 1963

In my Mind II, 2014
Etching on wove paper
Signed by the artist in pencil, lower right on recto
43.8 x 36.5 x 3 cm - Framed
36.5 × 29.5 cm - Sheet
© Tracey Emin
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Further images

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. Tracey Emin, Every bodies Been There, 1998
  • (View a larger image of thumbnail 2 ) Tracey Emin, Every bodies Been There, 1998
Tracey Emin's art functions as a visual journal, offering unfiltered reflections of her life experiences and inner thoughts. She consistently serves an intensely personal narrative, challenging viewer expectations and cultural...
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Tracey Emin's art functions as a visual journal, offering unfiltered reflections of her life experiences and inner thoughts. She consistently serves an intensely personal narrative, challenging viewer expectations and cultural norms. Emin approaches her work with unflinching honesty, creating disarmingly emotional and reflective pieces. Through her practice, she probes the construct of self and the impulse to create, often using her experiences as primary material.

Her distinctive drawing technique employs soft, scattered lines that capture immediate emotional states rather than studied representations. Emin deliberately maintains a certain roughness in her work, stating that they lose their authenticity when drawings become too neat. Her nudes, often self-portraits, are artistic documentation of life's passages, addressing time, age, and solitude themes. Through her fierce energy and abandoned gestures, Emin creates works that fluctuate between joy and suffering, marking her significant contribution to contemporary art.
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